Sarah Kaskas was born in America and traveled around the Middle East before returning to her native country of Lebanon. She received her BA in Communication Arts: Radio/TV/Film at the Lebanese American University in 2008, where her first film,Labyrinth (2006) screened at two local student film festivals. She went on to direct a theatrical production of Sarah Kane’s 4.48 Psychosis and was awarded a spot in the XII Annual Theatre Festival in Beirut.
Sarah then moved to Jordan to further enhance her education and filmmaking career. She received her MFA in Cinematic Arts: Directing and Sound at the Red Sea Institute of Cinematic Arts in 2011. During this time, Sarah wrote and directed five short films. Her thesis film, Fugue (2011), was part of the Official Selection at Gulf Film Festival and ZUMEFF in 2012 as well as the 3rd NOFI International Festival of Non-commercial Films and the 3rd Malmo Arab Film Festival in 2013. It was also sold to BBC Arabic and screened on the “Alternative Cinema” program.
She then went on to write Wanderland (in Development) which won the award at the Co-Production Forum at the Internationales Trickfilm Festival in Stuttgart 2013 and was nominated for the Robert Bosch Stifftung Film Prize the same year.
Sarah is also one of the the very few female Sound Recordists in the Middle East with credits on projects like The Curve (2013), Ground to Ground (2013) and A Day in the Life (2013).
Further Sound Department credits include Inch’allah (2012) – produced by the Oscar nominated Canadian company, micro-scope – A 7 Hour Difference (2012) which recently won best international feature at the Manhattan Film Festival and Waiting for P.O Box (2012), a Cannes Official Selection.
Sarah is currently residing in Beirut, freelancing as a Sound Recordist while developing her feature film directorial debut.